Writing her own script. Women Photographers from the Hyman Collection: Photo London 2023.
‘Writing her own Script’ celebrates many of the pioneering women photographers at work in Britain over the last 100 years. It charts a course from the 1930s to the present and provides an overview of photography in Britain that focuses on two strands: a humanistic documentary tradition and a more personal, performative, practice. The exhibition takes its name from a large-scale photograph by Susan Hiller.
It begins with political and social engagement, presenting the very rare work of Edith Tudor-Hart, the Picture Post photographs of Grace Robertson, the street photography of Dorothy Bohm and the humanism of Shirley Baker and Marketa Luskacova. It then suggests the importance of this legacy to younger photographers that include Eliza Hatch and Bindi Vora. It aims to provide an opportunity to consider the use of photography as a social or political tool.
The exhibition then focuses on the pioneering feminist work of Jo Spence, Alexis Hunter, Susan Hiller and Sonia Boyce and their exploration of psychological and physical wellbeing. In doing so it aims to de-stigmatise subjects around mental health and create an environment in which people can have open conversations about their wellbeing. This section will include the photo-therapy of Rosy Martin, powerful portraits by Anna Fox, and the self-portrait based works of Heather Agyepong, Juno Calypso, Rose-Finn Kelcey and Polly Penrose.
The exhibition includes work by Heather Agyepong, Shirley Baker, Dorothy Bohm, Sonia Boyce, Juno Calypso, Helen Chadwick, Hannah Collins, Caroline Coon, Maisie Cousins, Anna Fox, Eliza Hatch, Rose Finn-Kelcey, Susan Hiller, Anna Fox, Alexis Hunter, Sarah Jones, Karen Knorr, Marketa Luskacova, Sarah Maple, Rosy Martin, Linda McCartney, Laura Pannack, Polly Penrose, Grace Robertson, Jo Spence, Paloma Tendero, Edith Tudor-Hart and Bindi Vora.
James Hyman, Founding Director, Centre for British Photography, comments: “Following therecent opening of the Centre for British Photography, we are delighted to have this opportunity to present an exhibition of works from the Hyman Collection and to spread the word about our activities. For many years we have been committed to supporting women working in photography, so we were pleased to be asked by Photo London to curate an exhibition thatfocuses on this important aspect of the collection.”
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Edith Tudor-HartFountain Hospital, London, 1951Vintage Gelatin Silver Print on double-weight paper.24.4 x 25 cms
9 5/8 x 9 7/8 ins -
Edith Tudor-HartNo Home No Dole London, c.1931Stamped and titled on the reverse.
Inscribed in pen:
James Welsh 1936 (?)Over-sized Vintage Gelatin Silver Print on double-weight paper.34.4 x 25 cms
13 1/2 x 9 7/8 ins -
Edith Tudor-HartThoroughfare, Aberdeen, c.1940Stamped on the reverse. Inscribed with pen: Thoroughfare AberdeenVintage Gelatin Silver Print on double-weight paper.29.8 x 24.5 cms
11 3/4 x 9 5/8 ins -
Grace Robertson'Community Enjoyment' Pub Outing, 1954Vintage Gelatin Silver Print27.31 x 36.83 cms10 12/16 x 14 1/2 ins
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Grace RobertsonPub Outing, 1954Vintage Gelatin Silver Print24.13 x 29.21 cms9 1/2 x 11 1/2 ins
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Grace RobertsonPub Outing, 1954Vintage Gelatin Silver Print29.21 x 24.38 cms11 1/2 x 9 9/16 ins
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Shirley BakerAbandoned Car, 1961Vintage Gelatin Silver Print50.8 x 40.65 cms20 x 16 1/16 ins
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Shirley BakerChildren sitting, 1965Vintage Gelatin Silver Print28.7 x 37.3 cms11 4/16 x 14 10/16 ins
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Shirley BakerManchester, 1968Vintage Gelatin Silver Print50.8 x 40.65 cms20 x 16 1/16 ins
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Shirley BakerThe Pet Market Shude Hill, 1961Vintage Gelatin Silver Print30.3 x 38.5 cms11 14/16 x 15 2/16 ins
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Dorothy BohmShepherd's Bush Market, 1970sSigned and datedVintage Gelatin Silver Print29.4 x 20.8 cms
11 5/8 x 8 1/4 ins -
Dorothy BohmSouth Kensington, 1960sSigned and datedVintage Gelatin Silver Print24.3 x 30.1 cms
9 5/8 x 11 7/8 ins -
Dorothy BohmWhitestone Pond, Hampstead Heath, 1971Signed and datedVintage Gelatin Silver Print25 x 24.3 cms
9 7/8 x 9 5/8 ins -
Dorothy BohmWinter, Kenwood, Hampstead Heath, 1971Signed and datedVintage Gelatin Silver Print22.5 x 27.5 cms
8 7/8 x 10 7/8 ins -
Dorothy BohmMarket stall in Islington, 1960sSigned and datedGelatin Silver Print40.5 x 30.3 cms
16 x 11 7/8 ins -
Dorothy BohmNotting Hill, 1960sSigned and datedGelatin Silver Print40.2 x 30.5 cms
15 7/8 x 12 ins -
Dorothy BohmPetticoat Lane, 1960sSigned and datedGelatin Silver Print39.6 x 30.5 cms
15 5/8 x 12 ins -
Dorothy BohmBillingsgate market, 1960sSigned and datedGelatin Silver Print40.8 x 30.2 cms
16 x 11 7/8 ins -
Caroline CoonJohnny Rotten, lead singer of the SEX PISTOLS, on his roof, 1977Gelatin Silver Print50.5 x 40.5 cms19 14/16 x 15 15/16 ins
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Caroline CoonSiouxsie Sioux in the queue at the 100 Club for the first Punk Rock Festival, 1976Gelatin Silver Print30.6 x 24.2 cms12 1/16 x 9 8/16 ins
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Markéta LuskačováPhotographs from Spitalfields (Woman with a baby and a girl), 1975Vintage Gelatin Silver Print30.5 x 40.6 cms
12 x 16 ins -
Markéta LuskačováPhotographs from Spitalfields (Ginger, Cheshire Street), 1975Vintage Gelatin Silver Print40.6 x 30.5 cms
16 x 12 ins -
Markéta LuskačováPhotographs from Spitalfields (Man sleeping in Cheshire Street), 1989Vintage Gelatin Silver Print40.6 x 30.5 cms
16 x 12 ins -
Markéta LuskačováPhotographs from Spitalfields (Men helping Mr Burns to close his warehouse), 1975Vintage Gelatin Silver Print30.5 x 40.6 cms
12 x 16 ins -
Jo SpenceThe Highest Product of Capitalism (After John Heartfield), 1979Vintage Gelatin Silver Print20.32 x 25.4 cms8 x 10 ins
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Jo SpenceThe Right to Work, 1979Vintage Gelatin Silver Print20.32 x 25.4 cms8 x 10 ins
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Bindi VoraClose The Museum. Open The Museum. Close The Museum. Open The Museum...., 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraCultivate That Cautious Optimism That The World Can Change, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraFlagrant Rule Flouter, 2021Hahnemühle Fine Art Print8 x 8 ins20.3 x 20.3 cms
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Bindi VoraIn The Age of Information, Ignorance Is A Choice, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraSkin Colour Is Not Reasonable Suspicion, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraThis is Not About Politics. This is About Humanity, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraTry Again. Fail Again. Fail Better, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraYou Eat Sausages Your Whole Life But You Refuse A Vaccine Because You Don't Know, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraYou've Fucked With The Wrong Generation, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Bindi VoraZero New Cases, 2021Hahnemühle Fine Art Print20.32 x 20.32 cms8 x 8 ins
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Rose Finn-KelceyThe Restless Image: a discrepancy between the seen position & the felt position, 1975Selenium toned silver bromide print89 x 112 cms35 1/16 x 44 1/16 ins
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Karen KnorrThe Principles of Political Economy (from the series "Capital"), 1990Cibachrome Print in Artist's Frame125.5 x 102.5 cms49 6/16 x 40 5/16 ins
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Alexis HunterA Young Polynesian Considers Cultural Imperialism Before She Goes to the Disco, 1981Colour Xerox prints in artist's frames109.4 x 47.1 cms43 1/16 x 18 8/16 ins
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Linda MccartneyPaul and Heather, Cliveden, 1969, 1969Platinum photograph40.8 x 59.9 cms16 1/16 x 23 9/16 ins
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Anna FoxThe Village (Village Wedding), 1993Matt light jet print archival76.2 x 101.6 cms30 x 40 ins
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Sonia BoyceThree Legs of Tights Stuffed With Afro Hair, 2015UltraHD photo print on aluminium dibond80 x 80 cms31 7/16 x 31 7/16 ins
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Hannah CollinsThe Truth, 1992Two joined photographs laid on fabric165.7 x 132.4 cms65 3/16 x 52 2/16 ins
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Polly PenroseMay 2015, I Was Never Good at Yoga, Exercise Balls, 2015C- Type colour print40.7 x 27 cms16 1/16 x 10 10/16 ins
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Polly PenroseOctober 2015, Crowborough Road, Fire Place, 2015C- Type colour print27 x 40.7 cms10 10/16 x 16 1/16 ins
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Polly PenroseOxford I, June 2011, 2011C- Type colour print27 x 40.7 cms10 10/16 x 16 1/16 ins
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Polly PenroseDorset, July 2013, 2013C- Type colour print27 x 40.7 cms10 10/16 x 16 1/16 ins
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Sarah JonesConsulting Room (Couch) (X), 2003Signed and dated 'Sarah Jones 2003' on a label affixed to the reverseC-print, mounted on aluminium150 x 150 cms
59 1/8 x 59 1/8 ins -
Heather AgyepongToo Many Blackamoors (4), 2015C-Type colour print60.96 x 50.8 cms24 x 20 ins
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Maisie CousinsBumhole, 2015Archival Giclée print on Hahnemühle59.4 x 39.6 cms23 6/16 x 15 9/16 ins
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Maisie CousinsFinger, 2015Archival Giclée print on Hahnemühle29.7 x 19.8 cms11 11/16 x 7 12/16 ins
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Maisie CousinsGrass Bum, 2015Archival Giclée print on Hahnemühle118.9 x 79.3 cms46 12/16 x 31 3/16 ins
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Maisie CousinsSlug, 2015Archival Giclée print on Hahnemühle29.7 x 19.8 cms11 11/16 x 7 12/16 ins
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Juno CalypsoSensory Deprivation, 2016Archival pigment print102 x 152 cms40 2/16 x 59 13/16 ins
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Helen Chadwick1953-1996Wreath to Pleasure #3, 1992-93Cibachrome print on aluminium-faced MDF in a glazed powder coated steel frame.diameter 110 cms
height 43 1/4 ins -
Rosy Martin in collaboration with Verity WelsteadBody is Landscape from the series Gravity Gravitas, 2019-2022101.6 x 152.4 cms
40 x 60 ins