Paul Hill: Platinum Prenotations: Photography Sales Gallery

27 January - 23 April 2023

Paul Hill has produced a limited edition set of platinum-palladium prints of some of his most recognised and seminal images.  Prized for their rich, subtle tonal quality, wealth of fine detail and stability, platinum-palladium prints are at the summit of traditional photographic printing.

 

 

Proposing a fresh interpretation of a selection of the original 35mm negatives from his renowned Prenotations series of the 1970s, these exceptional images have been printed at a larger-scale to truly celebrate Hill's remarkable compositions together with the superior qualities that platinum-palladium has to offer. Boasting fine detail and extreme archival stability, these beautiful prints have been handcrafted with the assistance of contemporary technology.

 

For the past 18 months, Hill has been working with Studio of Light at top ten University of Loughborough - specifically the photographic research and development expertise of Alan Duncan and Ben Dolman - who have devised an innovative approach to platinum-palladium printing by uniting this 19th century historical process with contemporary image making.

 

Opting for images that would offer a strong tonal range and impact, the negatives were scanned and digitally processed to make optimal files for the enlarged negatives ready for contact printing in the darkroom. Mastering this challenging process, they can now create consistently superior and exquisite prints, as presented in this exhibition of just 10 photographs from Hill's most memorable work.

 

Hill comments:

"I was so excited to get this invitation from Loughborough to participate in their venture into platinum printing and have my work printed by Alan and Ben. Their reputation as photographic innovators is well known, so I knew I was in safe hands. This is particularly important as there is only ONE negative existing of probably my best-known image - Man Against Snow - made in 1974!  When they told me that the prints would last for at least 1,000 years it was an easy decision. To think that if a photograph was made by this process at the time of the Norman Conquest and it would still be OK today is phenomenal!"