Hannah Collins

artist writings and interviews

2008 
West, Richard. Interview for Source magazine, Source magazine

2007 
Events and Conditions - Finding, Transmitting, Receiving, ed. Black Dog Publishing, pp 5.74-75

2006 
Filming in Russia. By Hannah Collins, Vertigo, Vol 3, pp 42-44, 2006, No 3 (Autumn 2006)

2005 
Thin Protective Coverings, First Works by 362 Artists, DAP Art Publishers, No 1

2003 
Gestes, Printemps de septembre, Rendez-vous des images contemporaines, Marta Gili, Toulouse
How to Stay Hungry, An Interview with Hannah Collins by Becky Beasley, ed. Grey Area Books, London, March
Talking Photography, An interview with Shirley Read, Oral History, British Library National Sound Archive

2001 
For the Giorgio Morandi Catalogue, ed. Tate Modern, pp 34-35

1999 
La Vida en Pelicula - Life on Film, ed. Galeria Joan Prats, September

1997 
Filming Things, Echo Books, ed. Centre national de la photographie, pp. 19, 29, 47, 59, 69, 77, 87-91

1996 
A Worldwide Case of Homesickness, ed. Irish Museum of Modern Art, Dublin, October; reprinted FilmingThings
Diary: In the Course of Time
Interview, Scope Magazine, Manuel Fernandez Cortez, Autumn

1995 
Desvan, ed. Gallery Joan Prats, Barcelona

1993 
Without Walls, The Turner Prize, Produced by John Wyver, Illuminations

1992 
A Conversation with Hannah Collins, Signs of Life, Michael Corris, 3rd Istanbul Biennal Catalogue, British Council, London
Signs of Life. Diary Notes by Hannah Collins, 3rd Istambul Biennial Catalogue, ed. British Council; reprinted in
In the Course of Time, Catalogue: ed. Koldo Mitxelena, San Sebastian, 1996

books and catalogues

2017

Noah Purifoy, Hannah Collins, Steidl Publications

2015

Camden Filenote, Camden Arts Centre

Sprengel Catalogue, Kehrer

2011 
Hannah Collins, The Fragile Feast. Routes to Ferran Adria, Hatje Cantz

2009 
Strange places Urban landscapes Photography, Stanley Picker Gallery, London, United-Kingdom 

2008 
Hannah Collins, Historia en curso. Películas y fotografías, Obra Social Fundación La Caixa, Barcelona
Parallel, ACTAR, Barcelona

2007 
Finding, Transmitting, Receiving, Hannah Collins, Black Dog Publishing Hannah Collins, Filming Things, Centre national de la Photographie, Paris
Barroso, Edouard Paz. Hannah Collins, wandering episodes. Museu Municipal de Faro 

2004 
The Street, Gestion Cultural y Comunicacion
LaVoie, Vicent. La Mina, VOX, Centre de l'image contemporaine, Montreal, Canada 

2002 
Noble, Richard. Bird Land, The Street, CAC Malaga, Ayuntamiento de Malaga
Peran,Marti. Transitional Spaces, Hotel of Being, Galeria Joan Prats, Barcelona Stimson, Blake. Bonjour Madamoiselle Collins, The Street, CAC Malaga

1997 
A Worldwide Case of Homesickness, ed. Irish Museum of Modern Art, Dublin, 1996 Reprinted Filming Things
The World of Hannah Collins/Le Monde de Hannah Collins, Filming Things, Centre national de la photographie, Régis Du rand, Paris
Tarantino, Michael. The Façade of the Objective/La Façade de L'Objective, Filming Things, Centre nationale de la photogra phie, Paris

1996 
Hannah Collins. In the Course of Time, Koldo Mitxelena, San Sebastian Shopping, ed. Echo Books, Barcelona
Legallais, Catherine. A Worldwide Homesickness, In the Course of Time, Koldo Mitxelena Kulturunea, San Sebastian 

1995 
The Hunter's Space, ed. Chisenhale Gallery, London, Cornerhouse Gallery, Manchester
Legallais, Catherine. Le faste étrange des perles et des coraux, Profil d'une collection, FRAC Basse-Normandie, France Renton, Andrew. An Image taken (away) and a site wherein it may be recalled,The Hunter's Space, Chisenhale Gallery, London

1993 
Hannah Collins, Centre d'art Santa Mònica, Generalitat de Catalunya
Blazwick, Iwona. Excessive Visions, Centre d'Art Santa Monica, Barcelona, Departament de Cultura Brea, Jose Luis. The Land of the Last Men (stories), Centre d'Art Santa Monica, Departament de Cultura, Barcelona
Cork, Richard. Secular Shrines, Colindale Hospital Project, Public Art Development Trust, London 

1992 
Condo, George. Hannah Collins, Galeria Joan Prats, Barcelona

1988 
Legends, ed. Matt's Gallery, Institute of Contemporary Art, London, Orchard Gallery Derry

articles, essays

2021

Maureen Paley has announced the representation of Hannah Collins, Mark Westall, FAD Magazine

2020

America's Deep South heads to the UK’s south coast for remarkable exhibition, Dale Berning Sawa, The Art Newspaper

2015

2010

We Live, Weave Each Other And Have Our Being, María Belén Sáez de Ibarra

2008 
Las Seducciones de la Alteridad. Sobre Historia en curso de Hannah Collins en Caixa Forum, a-desk Crítica y Arte, Nizaiá Cassián Yde

2007 
Foreword, Finding, Transmitting, Receiving, Black Dog Publishing, Iwona Blasswick

2006 
The Unhomely, Phantom Scenes in Global Society, BIACS2, 2nd Seville Biennial,Okwi Enwezor

2004 
En Guise dAdmirations, Photographie Plasticienne, L'Extrême Contemporain, Editions du Regard, Dominique Baqué
Citadanos, Arte y Naturaleza, Juan Manuel Bonet, Madrid
Tate Women Artists, Tate Publishing, Alicia Foster, London, pp 188-9
Things, A spectrum of Photography 1850 - 2001, Victoria and Albert Museum, Mark Haworth-Booth,pp125,126 What is the City? Citadanos,, Arte y Naturaleza, Dennys Matos, Madrid
La Mina, Forum 2004, Robert R. Riley, Barcelona, Spain 

2003 
Art and Photography, David Campany, Phaidon
Despues de la Noticia, Publicaciones CCCB, Carlos Guerra, Barcelona In with the outcasts, The Times, Kathryn Horne, 30th September
The Street / A Home in Three Places (Somewhere on the Road Between Jerusalem to Tel Aviv), La Calle/The Street, An drew Renton, Malaga, p42

2002 
Hannah Collins, SLADE Issue 3, Edward Allington
Tate Modern, The Handbook, Iwona Blasswick and Simon Wilson London, pp137 Mesurar La Veritat II de Hannah Collins, La Vanguardia, Carlos Guerra, September

2001 
The Photo Book, Phaidon Press

1999 
The Sublime Moment: The Rise of the Critical Watchman, Sublime: The Darkness and the Light, Cat., Arts Council, Jon Thompson

1998 
Histoire Tiede, Parachute, Vincent Lavoie, February

1997 
Button, Virginia. A History of the Turner Prize, Tate Gallery Publishing, Virginia Button, London, pp 98-100 1996Today, tomorrow and the next day, Irish Museum of Modern Art, Hannah Collins, Dublin
Hannah Collins: el transcurso del tiempo, Arte y Parte (magazine),Teresa Grandes, Summer, Madrid 

1995 
Le Monde après la photographie, Musee D'Art Moderne, Cat., Regis Durand, Villeneuve Dascq, Lille
The Hunter's Space, Portfolio magazine, Iwona Blasswick, No. 21. Edinburgh 

1994 
Hannah Collins, Artforum, Dan Cameron, October, New York
Image7Image, Jan Hoet, Ghent
Los Géneros de la Pintura, Museo Español de Arte Moderno, Juan Antonio Ramirez, Madrid 

1993 
The Vulnerable Image,Michael Corris, Lapiz No. 89, Madrid
Hannah Collins, El Pais, Victória Combalia, Madrid
The Turner Prize, Tate Gallery Catalogue, Simon Wilson, London 

1992 
Stonefree, Tinglado 2, Vincenç Altaio, Tarragona
Los Ultimos Días, Pabellón de España, Expo Seville, José Luis Brea
Le Nomadisme Hybride d'Hannah Collins, Art Press, Catherine Legallois, no 165, Paris 

1991 
To be Or Not To Be, Centre d'Art Santa Monica, Dan Cameron, Barcelona
European Photography Prize, Mark Haworth-Booth, Berlin

1990 
Revenge of Recollection, Camera Austria, Christine Frisinghelli and Manfred Willman, Graz 

1989 
MALAISE, Gallery La Maquina Espanola, Juan VicenteAliaga, catalogue, Madrid
Une Autre Objectivite, CNAP, Jean-Francois Chevrier and James Lingwood, Paris 

1988
Hannah Collins, Institute of Contemporary Art, James Lingwood, London