Willie Doherty

Home, catalogue, Villa Merkel, Germany

Again and Again, catalogue, Fundaciao Calouste Gulbenkian, CAM, Lisbon 2013 Willie Doherty, Unseen, catalogue, City Factory Gallery, Derry/Londonderry's UK City of Culture, 2013. Publisher: Matt's Gallery, London, Nerve Centre, Derry

Lapse, catalogue, Kerlin Gallery, Dublin, July 2012, text by Isabel Nolan



Disturbance, catalogue, Dublin City Gallery The Hugh Lane, Dublin

Buried, catalogue, The Fruitmarket Gallery, Edinburgh, text by Willie Doherty and Fiona Bradley
Willie Doherty, Requisite Distance, New Haven, Yale University Press; text by Charles Wylie

Ghost Story, Fondazione La Biennale di Venezia, Venice
Willie Doherty, Yilmaz Dziewior, Matthais Mahling, Kunstverein Hamburg

Out of Position, Marina munguia, Laboratorio Arte Alameda, Mexico City 



False Memory, London: Merrell Publishers Ltd; Dublin: Irish Museum
of Modern Art; texts by Carolyn Christov-Barkargiev and Caoimhin Mac Giolla Leith

Willie Doherty, True Nature, Chicago: The Renaissance Society; text by Caoimhin Mac Giolla Leith

RE-RUN, 25 Bienal de Sao Paulo exhibition brochure, Sao Paulo: The
British Council; text by Charles Merewether

How it Was, Belfast: Ormeau Baths; text by Daniel Jewesbury

Extracts from a file, DAAD, Berlin; essays by Meschede, Friedrich, Eva Schmidt, Hans-Joachim Neubauer

Dark Stains, San Sebastian: Koldo Mitxelena; essays by Lores, Maite, and Martin McLoone

Somewhere Else, Liverpool: Tate Gallery, in association with the Foundation for Art and Creative Technology (FACT); essay by Ian Hunt

Same Old Story, London: Matt's Gallery; essays by Martin McLoone and Jeffrey Kastner

Willie Doherty, Musee d'Art Moderne de la Ville de Paris; essay by Olivier Zahm
In the Dark. Projected Works, Bern: Kunsthalle Bern; essays by Carolyn Christov-Bakargiev and Ulrich Loock
The Only Good One is a Dead One, Edmonton: The Edmonton Art Gallery, Mendel Art Gallery; Lisbon: Fundacao Calouste Gulbenkian; essay by Jean Fisher
No Smoke Without Fire, Matt's Gallery, London; text by Willie Doherty

At the End of the Day, British School at Rome; essay by Carolyn Christov-Bakargiev

Partial View, Douglas Hyde Gallery, Dublin in association with the Grey Art Gallery and Study Center, New York University and Matt's Gallery, London; essay by Dan Cameron

selected press

Nicholas Allen, 'Post-Troubles art: Ghost-Haunted Land by Declan Long review',
The Irish Times, 23 December 2017
David Frankel, 'Willie Doherty', Artforum, September 2017
Ian Christie, 'Willie Doherty's Loose Ends: revolution remembered', BFI, 14 July 2017

Aidan Dunne, 'Building a Pallas: 20 years of modern art in Ireland', The Irish Times,
13 December 2016
Blouin ArtInfo, 'Datebook: Willie Doherty Loose Ends at Kerlin Gallery, Dublin', 10 October 2016
Oisi­n Murphy Hall, 'Artsdesk: Willie Doherty, Loose Ends', Totally Dublin, October 2016 Stephen Mulhall, 'Architecture Plus', Architecture Ireland, Autumn 2016, pp. 82-83 Linda Taylor, 'Far from the Madding Crowd', Frieze, 30 September 2016
Aidan Kelly Murphy, The Thin Air, 27 September 2016 Aidan Dunne, The Irish Times, 20 September 2016, Arena, 6 July 2016
Riann Coulter, 'Modern Ireland in 100 Artworks: True Nature by Willie Doherty',
The Irish Times, 25 June 2016
Martin Mezger, 'Zeiten des Terrors', EZeitung, 17 February 2016
SWR Mediathek (TV), 13 February 2016

Maev Kennedy, 'Paint the town green: the hidden history of Irish art', The Guardian, 13 May 2015

The New Yorker, 'Willie Doherty, Alexander and Bonin', 17 November 2014, pp. 14-15 Declan Long, 'Willie Doherty in conversation', Art in the Contemporary World podcast, Episode 2, 10 April 2014
Colin Perry, 'Willie Doherty, City Factory Gallery', Frieze, No. 161, March 2014, p. 163
Mousse, Issue 42, February/March 2014, One, The Works, 28 February 2014
Morgan Quaintance, Art Review, January/February 2014, p. 119 Hayley Reynolds, Le Cool Dublin, 16 January 2014
Art Media Agency Newsletter, Issue 134, pg. 26, January 2014

RTE Radio 1 Arena, interview with Sean Rocks, 15 January 2014

Crista­n Leach Hughes, The Sunday Times Culture, 22 December 2013
Irish Arts Review, Winter 2013, pg. 46
Regine Debatty, We Make Money Not Art, 15 December 2013 Mark Sheerin, Culture 24, 3 December 2013
BBC Turner Prize Award Night, Panel Discussion, 2 December 2013
Ciaran Daly, BBC Arts & Culture, Knowledge & Leaning Beta 21 November 2013 Aileen Burns/Johan Lundh, Art Agenda, 18 November 2013
Charlotte Higgins, The Guardian, 29 September 2013 Chris Clarke, Art Monthly, September 2013
Irish Arts Review, Autumn 2013, p. 30
David Frankel, Artforum, September 2013, pg. 348-349
this is tomorrow contemporary art magazine, 11 August 2013 Crista­n Leach Hughes, The Sunday Times, 2 June 2013
Pavel Barter, The Sunday Times, 5 May 2013, pp. 8-9 Aoife Rosenmeyer, Art Review, April 2013

Joe McHugh (Chair of the Oireachtas Committee on the Implementation of the Good Friday Agreement), Derry Journal, 6 July 2012
Ruth Hazard, Culture 24, 4 May 2012
Megan Okrandm, Art in America, 21 May 2012
Eithne Shortall, The Sunday Times Culture, 3 June 2012, pp. 6-7 Aidan Dunne, The Irish Times, The Ticket, 1 June 2012
Joshua Dector, Artforum, May 2012
Skye Sherwin, The Guardian Guide, 4 April 2012 Robert Clark, The Guardian Guide, 7 January 2012

Cristan Leach Hughes, The Sunday Times, 18 September 2011, p. 41
Coline Milliard, Artinfo, 12 September 2011 Jonathan Jones, The Guardian, 6 September 2011
Gemma Tipton, 'Across the Divide', The Irish Times Dublin Contemporary 2011 Supplement, p. 14
Tim Maul, 'Willie Doherty, Lack', CIRCA, Issue 131, March 2011

The Visual Artists News Sheet, Jan/Feb 2010
'Catch some terror-ific art!', Cork Independent, 2010

Marc O'Sullivan, 'The End is Nigh Again', The Irish Examiner, 12 December 2009 'A Great Climate of Fear', Gerry McCarthy, The Sunday Times, 6 December 2009 'Art in an Age of Anxiety', Tom Dunne, Irish Arts Review, Volume 26, 2009
Luke Clancy, 'Willie Doherty: Three Potential Endings', ArtReview, 27 November 2009 Aidan Dunne, 'Apocolyptic Visions', The Irish Times, The Ticket, 20 November 2009 Nicky Bird, Art Monthly, No. 327, June 2009
Liz Shannon, The List: Glasgow & Edinburgh Events Guide, 14 May 2009 Duncan Macmillan, 'Master of the Dark', The Scotsman, 12 May 2009 Moira Jeffrey, 'Trial by Fire', Scotland on Sunday, 3 May 2009
James Garner, The Metro, 30 April 2009 Robert Clark, The Guardian, 25 April 2009 The Big Pick, The Big Issue, 23 April 2009
Jessica Lack, The Guardian - online, 22 April 2009 'Haunted by Ghosts of the Past', The Herald, 18 April 2009
Susan Mansfield, 'Visiting Ghosts', The Scotsman, 4 April 2009
Benjamin Genocchio, 'A Sampling of What's On', The New York Times, 16 March 2009 Fergal Gaynor, 'ev+a 2009', Circa 128, Summer 2009, pp. 86-91

Maria Fusco, Matts Gallery, Frieze, Issue 114 2008
Irish Arts Review, Spring 2008
Declan Long, 'Selective memories, collective histories', Circa 123, Spring 2008 Jacqui McIntosh, 'From Jesus to Sartre', Magill, Issue 2, 2008
Mick Heaney, 'Distant Voices, Still Lives', The Sunday Times, 5 August, 2008 Jean Wainwright, 'Willie Doherty: Replays', Art Review, 4 August 2008

Martin Herbert, 'Below the Waterline', Frieze 109, September 2007 Gavin Murphy, 'Global Enterprise', Circa, Summer 2007, pp. 26-33
Michael Wilson, 'Willie Doherty, Alexander and Bonin', Artforum, March, p. 314 2006 Aidan Dunne, 'Beauty out of the blue', The Irish Times, 25 October 2006
Declan Long, 'Willie Doherty: Empty', Circa, Winter 2006, pp. 104-106 Sergio R. Blanco, 'Mira Doherty al centro', Reforma, 26 September 2006

Mark Durden, 'Willie Doherty: Non-Specific Threat', Portfolio #41, June, pp. 62-65 Javier Hontoria, 'Willie Doherty', El Mundo - El Cultural, 10 November, p. 35

Isaac Julien, 'Film Best of 2005: Isaac Julien', Artforum, December 2005, p. 61 Alberto Martín, 'Memoria y devastacion', El Paes, 3 December 2005
Marcia E. Vetrocq, 'Venice Biennale: Be Careful What You Wish For', Art in America, September 2005, pp. 109-119

Chrissie Iiles, 'Venice Biennial 2005', Frieze, Issue 93, September, pp. 98-100 Maeve Connolly, 'In Conversation: Experience and Alterity at the Venice Biennale', Contemporary, Issue 74, June, pp. 22-24

Edward Leffingwell, 'Willie Doherty at Alexander and Bonin', Art in America, October 2004, pp. 151-2
Michael Wilson, 'Willie Doherty', Artforum, May 2004, p. 209
Johannes Meinhardt, 'Recherche - entdeckt!', Kunstforum International, No. 173, November/December, p. 379
Edgar Schmitz, 'Turner Prize 2003', Kunstforum International, No. 168, January/February, pp. 373

Aidan Dunne, 'International Reviews', ARTnews, June 2003, p. 128 'Reviews', Modern Painters, July 2003, pp. 120-121
Turner at 20, Tate, in: Arts and Culture, Nov/Dec pp.46-53
Adrian Searle, States of Decay, G2, in: The Guardian, 29 Oct. pp 12-14

Louisa Buck, 'Remembering Bloody Sunday-and all the rest', The Art Newspaper, No. 122, February 2002, p. 18
David Frankel, 'Willie Doherty', Artforum, September 2002, p. 93 Cherry Smyth, 'Willie Doherty', Art Monthly, March 2002, pp. 30-31 The Sunday Times Ireland, 'Derry heir', 20 October 2002

Katerina Gregos, 'New York Now', Contemporary Visual Arts, Issue 34, Summer 2001, p. 52-56

Caoimhin Mac Giolla Leith, 'Willie Doherty', Artforum, February 2001, p. 164 2000 Aidan Dunne, The Irish Times, 27 September 2000

Jane Humphries, Circa 94, Winter 2000

Garrett Holg, 'Willie Doherty: The Renaissance Society', Art News, Summer 1999, pp. 161-62
Ken Johnson, 'Willie Doherty', The New York Times, 21 May 1999, E31

Caoimhin Mac Giolla Leith, 'Willie Doherty', Artforum, February 1999, pp. 106-107 Keith Patrick, 'Dark Stains: Film Noir Elements in the work of Willie Doherty', Contemporary Visual Arts 23, Summer 1999, pp. 68-69

Aidan Dunne, 'A troubled landscape', The Irish Times, 9 September 1998, p. 13 1997 Michael Archer, 'Willie Doherty, Matt's Gallery', Artforum XXXVI, No. 3,
November 1997, p. 126
Aoife Mac Namara, 'The Only Good one is a Dead One: The Art of Willie Doherty',
Fuse 20, No. 4, August 1997, p. 12-23
Aoife Mac Namara, 'Willie Doherty: Art Gallery of Ontario', Parachute 87, Montreal, Summer 1997, p. 53-54
John Slyce, 'Willie Doherty: Matt's Gallery', Flash Art XXX, No. 197, November - December 1997, p. 114

David Frankel, 'Willie Doherty, Alexander and Bonin', Artforum, May 1996

Jeffrey Kastner, 'Willie Doherty, Matt's Gallery', Frieze 14, January/February 1994 Roberta Smith, 'Bluntly, the Tragedy of The Troubles', The New York Times, 9 September 1994